![Photo of Daniel Daw performing for Candoco](/media/home_images/0020Dan_2.jpg)
Photo: Dan Daw by Hugo Glendinning for Candoco
![Caroline in Falling in Love with Frida](/media/home_images/DSC_1504_-_Caroline_3.jpg)
Photo: Caroline Bowditch by Anthony Hopwood
![Photo of Luke Pell speaking at InVisible Difference's Disability and the Dancing Body Symposium.](/media/home_images/Luke_crowd_1_jW6RWfo.jpg)
![Kate Marsh in Floor of the Forest](/media/home_images/kate_floor_of_the_forest3.jpg)
Photo: Kate Marsh
![Photo of Charlotte Waelde speaking at Digital Echoes, Coventry](/media/home_images/Charlotte_digital_echoes.jpg)
Photo: Lily Hayward-Smith
![Dan Daw performing in Imperfect Storm By Wendy Houston for Candoco Dance Company](/media/home_images/Imperfect-Storm--Dan-840x560_4.jpg)
Photo: Candoco Dance Company by H.Glendinning
![Caroline at Dance4 sharing of Falling in Love with Frida](/media/home_images/DSC_1840-Caroline_Welly_Nicole_copy.jpg)
Photo: Caroline and dancers by Anthony Hopwood
![Photograph of disabled dance.](/media/home_images/claire_cunningham_-boxer-in_jess_curtis_dances_for_non-fictional_bodies_photo_by_sven_hagolani.jpg)
Photo: Claire Cunningham by Sven Hagolani
![Photo of the audience at the Siobhan Davies Studios](/media/home_images/audience_SDS.jpg)
![Shot of Caroline Bowditch's powerpoint at the Siobhan Davies Studios](/media/home_images/PPT_SDS.jpg)
- What are the economic realities for a disabled dance practitioner?
- Is the disabled dancing body more exposed to public consumption than the non-disabled body?
- How do we value dance made by and performed by disabled dancers?
- Can dance made by disabled artists find its rightful place in our cultural heritage?
![The logos of the project partners.](/static/partners-logos.png)